Shopping for Sabzi (Articles & Reviews)

Shopping for Sabzi by Nitin Deckha

Reviews:

International Examiner
Fast Forward Weekly
Uptown Magazine
City Masala
Desi Life

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International Examiner
Review by Nalini Iyer

“Shopping for Sabzi” is a debut collection of short stories by Nitin Deckha who was born in England, raised in Canada and educated in the United States. His transnational experiences are reflected in the dozen stories in this collection. Many of his South Asian characters are transnational subjects who are negotiating multiple cultural and social identities. His non-South Asian characters are cosmopolitan and urban. The title of the collection (“sabzi” refers to vegetables in Hindi) comes from the author’s mother-in-law who compared her daughter’s search for a mate as “shopping for sabzi.” But women in South Asia take their sabzi shopping seriously—each vegetable has to be examined, poked, and prodded and the price haggled with the seller. The stories in this collection focus on a variety of characters who are in search of mates—some are negotiating cross cultural relationships, others are pondering what might have been, and still others are bumbling along.

In “Spick and Span” a nearly 30 year old Gujarati social worker helps her aunt organize a marriage convention in New Jersey while exploring her own different expectations from married life. In “Cheese Guru Kiss”, a happily married father of a teenage son suddenly comes face to face with an old girl friend who is now a celebrity chef and briefly flirts with his past, and in “Ketchup” a father with a toddler remembers his first serious relationship with an older woman while traveling back home to reunite with his wife. These stories are charming and slightly romantic as the protagonist eventually comes “home” happily to his/her choices. Some other stories are surprisingly edgy. In “Piece of Cake” a young photographer journeys to his past to explore his first girl friend’s bouts of eating disorder while his current girlfriend wishes to aestheticize and commodify the sick woman’s relationship with food. In “Will Model for Food”, an English journalist explores the politics of urban redevelopment and homelessness and in “1 900 Hey Baby”, the writer examines the world of phone dating services. A couple of stories examine South Asian women who reinvent themselves in widowhood startling their families and friends by their surprising choices.

Deckha’s stories are impressive for their range of topics and for the variety of characters. Some of the stories are fairly conventional while a few reveal an edginess that is promising. He steers clear of South Asian stereotypes especially given that his topic is mate-hunting—a topic that is so prevalent in South Asian fiction that it is clichéd. As is common with debut collections, there is some unevenness in quality and a tentativeness to voice, but if Deckha produces more stories like “1 900 Hey Baby” and “Ketchup”, his will be a writing career worth following.

Nalini Iyer is Associate Professor of English at Seattle University where she specializes in Postcolonial Studies with an emphasis on South Asia. She has written numerous scholarly articles and book reviews on South Asian literature and her upcoming book, co-edited with Bonnie Zare is Other Tongues: Rethinking the Language Debates in India (Rodopi, 2008).


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Fast Forward Weekly
Review by

Fruitless search
 
In Nitin Deckha’s short story “1 900 Hey Baby,” part of his collection Shopping for Sabzi, a call screener at a phone dating service chases his ambition to become a chef and is manipulated by a sleazy talent scout. In “Spick and Span,” an unmarried New York social worker is forced to confront her insecurities about being over 25 and single, while organizing a Gujarati marriage convention. All of the characters in Dekha’s collection have one thing in common: they’re shopping for sabzi.

“Shopping for sabzi literally means shopping for vegetables,” says Deckha, an anthropologist who teaches social sciences in Toronto. “Like when you are looking for an apple, you pick it up, examine it and put it back. The same kind of idea applies to people’s lives and their quest for personal fulfilment.”

Though shopping for sabzi is an accusation levelled at young people in the title story, Deckha believes the habit is not limited to the young and the restless. “I think shopping for sabzi is something we’re all doing. I think it’s part of the zeitgeist. We’re all reinventing ourselves to get what we want,” he explains.

Rich in sarcasm and dryly humorous, Deckha’s collection of short stories offers a series of relatively light hearted glimpses into the middle-class struggle for personal fulfilment. Many of the tales surround the privileged, but often wayward, lives of thirty somethings as they search for success in its many forms. Whether they are struggling to advance their careers to greater heights, find love or simply get laid, the occasionally selfish characters are beset by a feeling of dissatisfaction with their current situation, dogged by a persistent feeling of doubt, or a desire for something better.

However, these are not stories of heavy personal crises and broken dreams, and the subject matter never gets too dark. The characters’ inner struggles are instead fleshed out from simple events in their lives. Sometimes these struggles seem banal, but Deckha has a way of writing about these mundane situations that creates the feeling you are looking at a poignant snapshot of life in motion.

The stories mostly follow the lives of young, white-collar South Asians, but exploration of their ethnic identity is done sparingly, or left out entirely. “Their South Asian identity is a part of it, but that is sort of the anchor rather than the foundation,” explains Deckha. “And their stories are maybe not universal, but certainly cross-cultural. I think it reflects an emerging time in Canadian literature where writers are more comfortable venturing beyond the familiar motifs.”

Deckha drew his characters from his experiences doing field work in London and from his brief stint in advertising in New York. This is his first book, but he is currently working on a novel that he says will expand on the themes he established in Shopping for Sabzi.


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Uptown Magazine
Review by Quentin Mills-Fenn

Look no further
Nitin Deckha's short stories explore restlessness and the hunt for more

Nitin Deckha explains the title of his first book, Shopping for Sabzi (Tsar Publications): "It literally means shopping for vegetables," he says. "If the apple isn't beautiful, you put it back."

The collection of stories features characters, usually East Asian and usually young professionals, who want more and continue to search for something better. The most luscious piece of fruit, for example.

"That kind of restlessness," Deckha says, "looking for a better career, a better relationship, guides the stories.

"There's something missing in their lives. They're not satisfied. They want less anonymity.

"Some of the stories have a snippet of reality," he adds. "A friend will tell me something, or a student, and I'll think, 'That would make a really good story.'"

Not all of the characters are young professionals. The London-born, Toronto-based writer has a special literary affinity for middle-aged immigrant women. Deckha talks about billboards in places such as Brampton, Ont., with brown-faced women selling their services as mortgage brokers and realtors.

"Two of the stories have widows," he says. "That group of women, they've lived through a great deal from how they were raised, the lives they thought they would live." 

But Deckha isn't afraid of a laugh. The most captivating creations in the book are the author's version of a stock character in Indian film and fiction, the Auntie. 

"The Auntie is a funny character," he says. "She's overbearing, a little loud, a little noisy. They're the defenders of tradition. But they're changing.

"I'm interested in the way they reinvent themselves."

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City Masala
Review by
Sheniz Janmohamed


If you’re looking for an enjoyable read after the holidays, order a copy of Nitin Deckha’s Shopping for Sabzi.

A collection of humorous, well crafted short stories, Shopping for Sabzi embodies many of the concerns and questions young South Asians face in the Western world. Each story has a subtle leitmotif - an idea or image that strings the narrative together, and makes the stories more nuanced and fascinating to read. “Enterprising Widow” tells the story of a young South Asian man dating outside his culture, and how his girlfriend and his mother develop a friendship. “Ketchup” enters the mindset of a young father, and his memories of being a rebel and activist in university. “Spick and Span” is a hilarious look at the dating scene in the South Asian community, from the perspective of a single South Asian woman.

Deckha’s strength lies in his ability to describe images with precision and detail. For example, “Kamala was near statuesque in a cream and soft pink sari, save for her slightly protruding caramel belly.” Deckha weaves humor and sarcasm in the text, and his characters are people we recognize in our own lives: the young activist fighting for community projects, the friendly waitress with bigger dreams, the self conscious young man who fears his own mother, the newly arrived immigrant.

ONE ON ONE WITH NITIN DECKHA

Q: Which story is your favorite in Shopping for Sabzi?

A: “Enterprising Widow,” with “Diva Desperada” as a very close second.

Q: Is there a character you loathe?

A: There aren’t too many villains in these stories, but Heath in “1 900 Hey Baby” is probably the most loathsome and morally bankrupt character in the collection.

Q:Which story was the most difficult to write?

A: “Will Model for Food”

Q: Is there a character in the collection who shares your personality (i.e., you with a different name)?

A: I suppose the character that is closest to me is Kish in “Ketchup.”

Q: What is your favorite collection of short stories?

A: I am a big fan of short stories. I enjoyed Hanif Kureishi’s “Love in a Blue Time” and Nell Freudenberger’s “Lucky Girls” a great deal.

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Desi Life (The Toronto Star)
Review by
Jane Van Der Voort

Bagging a good read

Shopping stirs something primitive in each of us. Some lust to shop, some dread it, others do it out of habit.

In Shopping for Sabzi, the debut collection of short stories by Nitin Deckha, the phrase "shopping for sabzi" refers to the acquisition of success.

"It's a phrase my dad uses to talk about our generation," says Pushpa, 22, in Deckha's namesake tale. "We're always on the hunt for the next great guy . . . trying them out for size, seeing how they measure up against the previous one, and if they don't we drop them like a bruised tomato."

Success is key to the characters we meet briefly in the dozen tales presented by Deckha, an occasional writer for Desi Life. They are South Asians, young mostly, and anxious to achieve. The complications they face are constant and layered.

Yet Deckha's quick plots are not mired in detail. There's a sense we're not getting the whole story, and we're relieved to be spared demands on our empathy and concentration when the real world claims so much of that already.

Who says a little love story is not a good love story? Not Shilpa, who, after being stood up, agrees to help at the Gujarati Samaj of America, a giant matchmaking conference, only to have the offending young man track her down and find her there. Not Saira, who loves the teacher Tom but must meet with old flame and realestate developer Rehan to dissuade him from digging up a neighbourhood park - and convince herself she no longer loves him. Nor is it all romantic love and new passion in Shopping for Sabzi. Sometimes, as in the story "Potatoes and Punjabis Are Everywhere," it's Happy's discovery of his love for his customs - his turban and his hair. For Konrad, it's the love of his life, and his wife and kids, despite the reappearance of a university-era flame - and her sizzling kiss.

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